The Saranay Motel Logo


The Saranay Motel is Elliott Earls latest body of work. Begun in late 2005 it is a work in progress. The Saranay Motel is comprised of four integrated elements:


The current status of the edit

Click on the clip above to see a few minutes of The Saranay Motel

The clip posted above is a random selection from the edit as is currently stands.


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The Saranay Motel Trailer

 

The Saranay Motel, a film by Elliott Earls

In December 2005 in preparation for a looming performance at Music Hall Detroit, I shot an eight minute long digital film in a flea-bag motel on Woodward Avenue in Detroit. Over the course of the past eighteen months in collaboration with my band The Venomous Sons of Jonah and a loose collection of artists, I've taken that short and built upon it.

As of July 2007, I've shot over 750 gigs of material including over 2000 photographs. The material ranges from high definition 720p footage, to stopmotion sequences shot with a Nikon D-200 in raw format. We have shot on four distinct occasions for total of 16 days. The current edit is one-hundred and four minutes long and probably needs to be closer to fifty. At this point the arc of the narrative is largely in place. I do however anticipate at least another week of shooting in late august 2007.

The Trailer

I've posted the first trailer for the film here. The Saranay Motel trailer is cut to a song entitled Can't Nobody Flow, which I wrote in collaboration with super-producer Timothy Day and actor Jerome Evans. Tim took the clawhammer joint Cluck Old Hen recorded with The Venomous Sons of Jonah, mixed it with some old-skool hip hop beats and 80's production techniques. Jerome Evans and I then contributed our verses. Video from the recording session is posted here. After watching the video, click on the record player below to compare and hear how Tim Day re-mixed the traditional clawhammer into a hip-hop joint. In the very last section of the song (the last minute) the track breaks down into a traditional old-time banjo track with my verse about Dale Ernhardt Jr. rapped on top.

Click on the image above to listen to Can't Nobody Flow.

Click on the links below to see The Saranay Motel Trailer

Flash Icon Play in Flash Video format

QT icon Play in Quicktime Format (Highest quality option)

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Casting The Saranay Motel

While the The Saranay Motel was written and directed by Elliott Earls, much of the actual dialog in the film was structured as ad lib. Scenes were established with a clear set of narrative goals. And while the actors understood their characters' function within the story, enormous freedom and encouragement was given to infuse the character with the actors' own pathologies, tics, interests and foibles. In the casting process I essentially drew together a group of people from my loose network of stooges, flunkies, aspirant actors, graphic designers, yes-men, filmmakers and itinerant musicians. Most of the players within the film consider themselves "artists" rather than "actors." ( Jerome Evans and Benjamin Stewart being the obvious exceptions.)

The Film Stars

Dora Apel, Matthew Biro, Timothy Day, Darlene Earls, Elliott Earls, Ed Fella, Jerome Evans, The Reverend Robert Jones, Kei Shiraishi, Joshua-Ray Stephens, Benjamin Stewart, Kosta Stratigos, Ries Straver and Benjamin Teague.

With an original score by Elliott Earls, featuring The Venomous Sons of Jonah, Tim Day and Joshua-Ray Stephens.

 

Frame grabs from The Saranay Motel Feature Length Film


Horst and Les from The Saranay Motel

Horst and Les Plot
from The Saranay Motel
Frame grab
2007

Dutch artist Ries Straver stars as Horst Schicklegrüber. American comic book artist and designer Joshua-Ray Stephens as Les Griffin.

 

Adam preens from The Saranay Motel

Adam O'Hurlahee Preens
from The Saranay Motel
Frame grab
2007

American critic and art historian, Matthew Biro stars as Adam O'Hurlahee.

 

Adam and Pico

 

Pico shaves Adam
from The Saranay Motel
Documentation Still by Benjamin Teague
2008

Pico, Cash Advance Records fashion and image consultant, shaves Adam O'Hurlahee as they discuss retribution.